Drawing on postcolonial and film theory, Vijay Mishra (The Gothic Sublime), a professor of English and Comparative Literature at Australia’s Murdoch University, sees Indian cinema as an effort to cut across the country’s numerous communities and achieve a pan-Indian culture. In Bollywood Cinema: Temples of Desire, Mishra explores film from Bombay in light of national and international cultural and aesthetic proclivities, including the prevalence of epics, the relegation of female actors to supporting roles, film representations of the Indian diaspora and sexual subtexts in the Indian gothic. Always sticking close to the countless films themselves (e.g. Mother India, Kismet, Zanjeer) and other texts (fanzines, a Salman Rushdie novel, film reviews), Mishra offers an erudite, scholarly and hip tribute to Indian cinema in all its glory, folly and abundance.
