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Culture as Commodity

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Welcome to Culture as Commodity

  Art as an Investment: Risk, Return, and Portfolio Diversification in Major Painting Markets
  Art History and Cultural Difference: Alfred Gell’s Anthropology of Art
  Beyond the Aesthetic Garden: Politics and Culture on the Margins of Fin-de Siècle Vienna
  The Church of Baseball, the Fetish of Coca-Cola, and the Potlatch of Rock ’n’ Roll
  Collecting Culture: Crimes and Criticism
  The Criticism of Culture and the Culture of Criticism: At the Intersection of Postcolonialism and Globalization Theory
  Cultural Dimensions of Globalization
  Cultural Meanings and Cultural Structures in Historical Explanation
  Culture/Wars: Recoding Empire in an Age of Democracy
  Envisioning Power in Mexico: Legitimacy, Crisis, and the Practice of Patrimony
  Filling in the Picture: Visual Culture
  Gender Bias in the Evaluation of New Age Music
  The Globalization of Music: Expanding Spheres of Influence
  I’d Like to Buy the World a Coke: Consumptionscapes of the Less Affluent World
  Indigenous Knowledge Organization: An Indian Scenario
  Music Education and Cultural Identity
  The New Circus: The Next Generation
  The New Dynamic of Blockbuster Exhibitions: The Case of Brazilian Museums
  A New Phase in the Competition for the Olympic Gold: The London and New York Bids for the 2012 Games
  Olympic Cities: Lessons Learned from Mega-Event Politics
  Performing Identity: Nations, Cultures and African Experimental Novels
  Popular Music in a Transnational World: The Construction of Local Identities in Singapore
  Stolen History: Looting and Illicit Trade
  Sultans of Spin: Syrian Sacred Music on the World Stage
  What Will We Do When Culture Does Not Exist Anymore?
  Why ’the World’ Loves Watching Football (and ’the Americans’ Don’t)
  World Music and the Popular Music Industry: An Australian View


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