The archaeology of the contemporary past is becoming an important subfield within the discipline and one attractive not only to archaeologists but to social scientists and artists. The period that started with World War I, here identified as “supermodernity,” has been characterized by increasing devastation of both humans and things and the proliferation of archaeological sites, such as battlefields, industrial ruins, mass graves, and concentration camps. The mission of a critical archaeology of this period is not only telling alternative stories but also unveiling what the supermodern power machine does not want to be shown. For this we need to develop a new kind of archaeological rhetoric, pay closer attention to the materiality of the world in which we live, and embrace political commitment without sacrificing objectivity.
